Every Night’s A Saturday Night: The Rock ‘n’ Roll Life of Legendary Sax Man Bobby Keys by Bobby Keys
My rating: 3 of 5 stars
Bookshelves: americana, memoir, party-like-a-rock-star, non-fiction
Don’t expect any deep insights, but this is still a very enjoyable read, the story of a rock and roll life peopled by everybody who was anybody in the heyday of rock n roll, the British Invasion, and beyond. Awesome stories, like first meeting Keith Moon as he was chasing his chauffeur with a hovercraft. Phil Spector is a prick – who knew? Hook a drive into Keith Richards’ breakfast as he eats by the fairway, and he will shoot your golf ball – who knew? There are some substance-hazed lapses in memory, like his estimation of how long he lived with George Harrison: “…a month or so. Several weeks anyway, probably a month. More than a week, less than a year.” It’s okay, though, because the entire book reads like it was dictated and transcribed, so you get Bobby Keys himself, like you’re sitting around drinking beers and shooting the shit, an utterly conversational voice that brings everything to life.
Keys pulls off being self-effacing, acknowledging that his success was due in large part to being in the right place at the right time over and over again, while at the same time being able to blow his own horn – heh – for his accomplishments. And you only have to listen to the Rolling Stones’ “Brown Sugar” or “Can’t You Hear Me Knocking” or John Lennon’s “Whatever Gets You Through the Night” to know the man had a gift. A ten-year-old kid happened to hear Buddy Holly playing on the back of a cotton truck in Lubbock, Texas, and the saxophone was the only instrument left at school when he wanted to learn to play something, anything, just to be a part of that music, and — something wonderful happened.
I felt a bit let down at the lack of deep feeling beyond that which Bobby clearly had for the music. He refers more than once to “my wife at the time” or “my kid” but goes no further into those personal relationships, and talks about being a heroin-infused mess but offers no real insight. Just, he was a junkie for a while, and now he’s not. I suppose I can understand the desire for privacy but it did leave me wanting more. Still, fair enough. This book is about the music, and making the music, and high times that were had while making the music. It’s a rollicking tale of a rollicking life that’s got one hell of a soundtrack, from his earliest solos on Dion and Elvis recordings through his career with the Stones and beyond.
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